Archive for the ‘Mudgimba’ Category

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Tapestry unraveling

September 19, 2008

   Gertie and I were sitting on her back porch, relaxing, drinking iced mango tea and watching clouds form and pass on. 

   “Gertie?”

   “Yes, Kezza?”

   “Isn’t someone supposed to show me my life tapestry while I’m here in Mudjimba Island?”

   “I think Enchanteur did mention that once.”

   “Are you the one who will tell me what it all means?”

   “What do you think, child?”

   “I hate when you answer a question with question.”

   “I know,” said Gertie, chuckling softly.

   “I wonder where my tapestry is?” I said.

   “It might be inside my house, in my old cedar chest.”

   “Really?  It’s been here all along?  Can I see it now?”

   Gertie sighed and took her time answering.  “Yes, dear Kezza, you can see it whenever you want.  But are you sure you want to?  You might see something you don’t like.”

   “Hmmm.  I know, but I’d rather know, so I can deal with it.  Even if it’s bad.”

   “Sometimes we look for answers, and then find out we were happier just asking the questions.”

   “You may be right, but I am a curious cat!”

   “Like Here & Now?

   “Why Not?”

   The animals heard their names, slightly raised their heads, and went back to sleeping in their sunbeams.

   “Wouldn’t it be nice to be content like them, not caring about the future?”

   “Yes, but I’m not like that.  Gertie, please show me my tapestry.”     

   “If you insist.”

   I followed Gertie inside.  She went to her old cedar chest, lifted the lid, and brought out the most beautiful tapestry I had ever seen.

   “Oh!  It’s lovely!”  But I didn’t see any pictures, no clues about me or my future.  “What does it mean?”

   “You see that teensy bead right there, Kezza?”

   “Yes.”

   “That’s you.  Everything else you see – those glorious colors and shapes and textures and patterns – that’s the whole of life.”

   “And I’m just a little speck?”

   “You are tiny, but you are a beautiful pearl, connected to the whole of life itself.  You are part of the design.”

   “Not a very big part.”

   “You don’t have to be big to be part of something wonderful.”

   “Oh,” I said quietly.

   “You sound disappointed, Kezza.”

   “I am.  I thought my tapestry would tell me how I fit in, what to do, where to go next.”

   “You’re here.  That’s enough.”

   “Is it?”

   “What do you think?”

   “You know how I hate when you answer a question with a question…”

   “I know, I know.  It’s part of the Wise Woman Creed – “Never give a straight answer when a mysterious one is more confusing.”

   I looked at the beautiful tapestry – and my tiny part in it.  It was beautiful.  I was part of it.  I tried to convince myself it was enough.  

   …But I still felt like no one would notice if one tiny seed pearl went missing…

 

Kerry Vincent © 2008

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Tapestry Revealed?

September 3, 2008

Tuiren motioned me to sit on the bench.  I looked around the weaving shed – there were canvases and looms with tapestries both stitched and woven in various states of progress.  Also hanging on the many hooks which lined the walls were large hessian bags with initials on each one.   I looked at the tapestry which was directly in front of me, the one I had seen on entering.  Tuiren smiled and shook her head, “This is not yours”, she said.   She wandered over to the bags and selected one which had a J inscribed on it.   She also picked up a canvas which had some indication of stitching upon it but with loose threads hanging.   She brought both over to me and sat down beside me.  She laid out the canvas on the table before us, looked at me and said,

“Well, what do you think?”

I sighed deeply already getting the significance of what she was showing me.  I had come here expecting a completed piece of work but, of course, I am a work in progress so the tapestry would naturally reflect that.   I looked to her and smiled saying,

“I understand.  These stitches are the steps I have taken already…..the threads hanging are those steps I have yet to complete, the stories I have yet to finish, the words I have yet to speak.”


Tuiren handed me the hessian bag.  I looked inside to find spools and hanks of different coloured yarns and threads.

“You are to take the canvas and the threads with you and as you continue through your life, record the steps, the words, the pictures.  Are you disappointed?”

Surprisingly I was not and said so, “Actually no…after the experience of my first night here and how you explained that to me, I have a greater understanding of what the message of this particular journey is and it is basically this: I am in charge of my own destiny,  hence there is no completed tapestry, no final picture or story, how could there be, I am still living my life and in that I continue to journey.  I also am acutely aware that there are stories I want to tell to complete my own healing.  The reticence I have felt in doing so is lifting.  You are showing me, both with the adventure last night and this weaving shed that the connection/s I thought I had lost are still alive, they are where I left them when I stopped ‘stitching’ and all I have to do is to pick up those loose ends and continue where I left off.  I have everything I need.”

Tuiren packed the canvas into the thread bag and handed them both to me.  She then embraced me in a way that felt totally complete.

“Time for food”, she whispered as she let me go.  We walked back to the cabin, the smells of cooking wafting down reminded me how hungry I was.  I was feeling very calm and at peace with myself for the first time in a long while.  It felt good.  Katha dished up plates of herb rice with beautifully spiced vegetables whilst Danu poured the tea.

“There are many places for you to visit within Lemuria – do not be in a hurry to leave, tread the path that many before you have travelled, along the Soul Food Silk Road.  I would recommend you visit White Owl Island first, followed perhaps by Ithika -  you will find much to your liking I am certain.”

“Oh I will, thank you,”  I replied.  There was indeed so much within this domain that I wanted to explore and experience.

I remembered that at some point I was supposed to join with the other travellers to continue our journey up the Kerith.   I had no idea where anyone else was or what they were up to but it felt like it wasn’t anything to worry about.

Jill

http://wyrdspirit.wordpress.com

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Double Rainbow

August 29, 2008

 

     Gertie fed me a wonderful dinner of greens and cornbread.  She had already informed me I would be spending the night at her cottage, no arguments.  So at least for now, I knew where I would lay my head, and what I would do for the rest of the evening.

     “Rest up, child, you don’t know what tomorrow will bring,” Gertie said.

     I helped Gertie clean up and then she said, “There’s nothing more I love in this life than to watch the sun go down, with a glass of wine in my hand.  Join me on the back porch.”

     We walked outside to an evening that was cool and pleasant, with a slight breeze.  It had rained while we were eating supper, so there was a fresh scent in the air, and the glittering of crystal droplets on the grass and leaves.  We sat down, poured wine, and clinked our glasses together:  Gertie announced, “A toast – We made it through another day.  We witness today as it draws to a close – and we are thankful to be here.”

     “Amen,” I said, taking a sip.  Looking up from my glass, I saw the most beautiful sight before us:  a double rainbow.  “It’s a miracle!”

     “Every day is a miracle – this day just happens to have a frame around it.  The rainbow is a blessing – all those colors, embracing the light…”

   “Sometimes I think the world is such a bad place – so many bad things happen – and then I see something like that…”

   “You know what they say, it takes both rain and sunshine to make a rainbow…The world is both good and bad, delicious and devastating – but it’s the only one we have, so we have to honor it and protect it.  This is it  – for better or worse, love it or hate it.  I choose our world, this life – the whole package – rainbows and tsunamis, falling in love and breaking your heart, getting a baby to smile and saying a last goodbye to a pet in too much  pain – we take the bitter with the sweet, the joy with the sorrow.  The best we can do is to be present each day, and, like my mother always said, do our best to make the world a better place if we can.”

     “The world is a better place because you’re here, Gertie.”

     “And you, too, Kezza.  The world needs you, whether you know it or not.  You are at the nexus of here and now, of being and meaning.”

     “I am?  I’m just me.”

     “That’s good enough.”

     “Really?”

     “Yes, I think you’re good enough, Kezza.  Smart enough, strong enough, kind enough, capable of darn near anything once you set yourself loose!  I think you’re pretty good, Kezza, just the way you are.  And you know what I always say…”

     “Pretty good is hard to beat,” I said, quoting Gertie, and laughing with her.

 

(c) 2008 Kerry Vincent

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Go with the Flow, Lemuria-style

August 18, 2008

            Gravel Gertie’s cottage was just big enough for Gertie and her pets.  She had two cats, “Here” and “Now”, and a little beagle named “Whynot”, which Gertie told me was short for one her life philosophies, “Why the hell not?”  When she opened the back door, all the animals came streaming out, a knee-high but determined speeding train of cat hair, dog slobber, and rambunctious good will.  “Do you business, and get back inside,” Gertie commanded.  The pets obediently ran and emptied their bladders, but they were not ready to go back in the house right away.  Gertie called them, “Come, Here!  Come, Now!  Whynot!?!”  The dog did a few freedom laps and the cats ignored us, until Gertie yelled, “Come, Here, Now!” and finally, the parade returned and we all went inside.

            The back door opened to Gertie’s tiny kitchen, a small room painted sunshine yellow, with red gingham curtains on the windows and overflowing herb pots on the sills.  “Sit down, I’ll put the kettle on,” Gertie said, lighting her little gas stove.  I sat at the aluminum and red formica-topped table, no retro chic remake, but an original from the 1950s.  My chair was covered with red vinyl, rubbed white in spots from years of wear.  What meals had been served, what intriguing conversations had taken place at this old table?

            “Here you go, good old Lipton tea,” said Gertie, setting two white mugs on the table.  “Oatmeal cookies?  They’re a little stale, I don’t get out much,” she apologized.

            I sipped my tea and nibbled at the hard cookie.  “Thank you.  Everything is wonderful.  You didn’t have to go to all this trouble.”

            “It’s my pleasure.  A toast:  Here’s to Kezza, and her trusty Were Pen, and whatever adventures lie ahead!  May your days be interesting and your nights be safe!”  We clinked our cups.

            “But, Gertie, I am a little worried.  I’m not sure where I’m supposed to go, or how I’m supposed to get there, or what I’m supposed to do.  I want an itinerary, a program ,or an outline.  What’s the A, B, & C of all this?”

            “No one ever gets their lives mapped out for them,” said Gertie.  “I try to live in the Here and Now, I remind myself of that every time I see the kitties.  They live from one sunbath to the next.  We could learn from them.  We should be flexible, go with the flow, you know…”

            “I hate not knowing what’s coming next!  I can deal with something if I know it’s coming.  I can plan for it, study up, get ready, prepare myself.”

            “And how often do you get to live life that way?  Almost never.  No, it’s better to embrace the unknown, not fear it!  ‘Nothing more constant than change.’”

            “But what if something bad is coming?”

            “What if something good is on the way?  You don’t know.  You might miss a good opportunity because you’re afraid it will be something you won’t like.”

            “I can handle what I know; I don’t know if I can handle what I don’t know.”

            “You don’t know you can’t handle something new until you try it.  You don’t know your own strength, until you have to use it.  Then it’s like adrenalin – you can lift a mini-van off a child.”

            “I don’t know…”

            “It’s not easy, but we can choose to say yes to life, whether good or bad, or live in a hidey-hole and hope everyone leaves us alone.  I don’t know about you, but I need room to grow.”

            “But what if I fail?”

            “So?  What if you do?  Then you try again.  You think these silly cats of mine give up because I stop them from running out the door once or twice?  No – they just wait till their next chance, and then they try something sneaky.  Sometimes the cats win, sometimes I do.  It’s a game – the important thing is to keep playing, win or lose.”

            “But I’ve failed before.”

            “You and everyone else.  You just keep trying.  Don’t live in the past.  Respect where you’ve come from,  but move on.  Look over there.”  Gertie pointed to three plates that hung in a scrolled ironwork holder.  The top said “Honor the past”; the middle read, “Cherish the now”; the bottom plate, “Create the future.”

            “Whynot,” Gertie crooned, calling her pooch.

            “OK, OK.  Past, present, future.  Balance.  I’ve got it.  But it still doesn’t tell me where I’m going.”

            “Does the destination matter as much as the journey?”

            “I don’t know, Gertie!  I was taught you always started out with a plan.”

            “Plans aren’t bad – it’s just that sometimes they change.  The trick is knowing when to stay the course and when to go with the flow…Let’s take a walk outside, Kezza.”  We went out the back door, accompanied by the happy petting zoo.   I followed Gertie over to the clothesline.  “These homemade quilts are so beautiful!  The colors – the designs – the fabrics!” I exclaimed.

            Gertie touched the quilts gently, like the dear old friends they were.  “I could show you the slip-ups I made on each one – there are so many – but I learned from each and every mistake.  The important thing is I kept on sewing, learning, growing.  Stitch after stitch, till my eyes watered and my fingers ached.  Sometimes I had an idea in mind and sometimes I didn’t.  Sometimes I started out doing one pattern, but it didn’t look right, no matter how hard I tried.  So I quit forcing it, let the work have its own way, and then things flowed – turned out better than I could have ever planned myself!  Often we just have to get out of our own ways, and let things happen, let the creative force flow its natural course.  If it turns out, great!  If it doesn’t, we start over again, tired, maybe, but smarter, we hope.”

            I fingered the soft cotton quilts.  Maybe there were a few tiny flaws, if you looked very close, but overall, they were phenomenal.  “Gertie, these are wonderful, just the way they are.  When you see the whole picture, the whole quilt, it looks as though you planned every scrap, every stitch.”

            “But I didn’t.  I did my best, made adjustments along the way, and it all worked out, more or less.”           

             “The results are beautiful,” I agreed.

            Gertie smiled.  “Thank you.  I think these are dry now.  How about you help me take them down, fold them, and bring them in?”

            Gertie and I folded the quilts and lay them in her wicker basket.  “Time to go,” she called.  “Come, Here! Come, Now!  Whynot!”  I picked up the basket and followed her back inside.

 

© 2008 Kerry Vincent

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If you were a were pen, where would you be?

August 12, 2008

So there I was, on the isle of Mudjimba, Old Woman Island, where somebody was supposed to meet me, and make all things clear, and show me the way to go.  At least that is what I had hoped would happen when I got to Mudjimba – so far I was just hot, tired, frustrated, and I had lost my beloved were pen.

I sat down on a bit of stone wall and looked out to sea, hoping watching the waves would calm me down.  “This too shall pass,” I whispered, as the Sand Dreamer taught, although I was still upset.  I tried to meditate, but my monkey mind kept jumping from topic to topic.  I tried to relax and focus on my breathing, but I got get an itch in the middle of my back I had to scratch it now, but I couldn’t quite reach it.  I tried rubbing my back against a tree trunk.  Just as I was starting to get the right spot, I heard a loud, throaty  “Unh-uh-uh.”  Embarrassed, I stopped immediately, opened my eyes, and saw a dark woman wearing a bright flowered sundress dabbing a wet cloth on her ample, wrinkled bosom, staring at me.

“I heard of tree-huggers, but I don’t know what you’d call what you’re doing to that tree – tree humpin’?” she said in her deep, raspy voice.

“I’m sorry, I just had an itch, I couldn’t reach it, so I thought the rough tree bark…”

“You don’t have to ‘splain it,” said the woman, laughing.  “It’s obvious, you needed someone to scratch your itch, but you should have asked for help.  I love a tree same as the next person, but you just actin’ silly.  She smiled broadly and said, “Hello, I’m Gravel Gertie.  Turn around, child.  Where you need that scratchin’ done?”

I turned and pointed to where the hooks of my bra were irritating my back.  Gertie gave me a good scratch, exactly were I needed it, and it was all I could do to keep from thumping my foot like a happy dog scratched just right.

“Sometimes you can help yourself, and sometimes you can ask for help.  This was one of those ‘ask for help’ times.  What’s your name, child?”

“Kezza.  Thank you, ma’am.”

“You’re welcome, Kezza, but please call me Gertie – ‘ma’am’ makes me feel like I should be an old woman in a church dress and rolled-up stockings.  I don’t mind bein’ old, but I don’t want to be prissy.  I’m a tough old broad and proud of it!  My wrinkles prove I’ve done some hard livin’ – I haven’t just been takin’ a nap down here on this planet.”

“No, Gertie, I can see you don’t take the easy way out.  No offense.”

“None taken.  How about you, Kezza?  How are you feelin’ now?”

“Pretty good,” I lied.  I was feeling a little bit better, but I was still worried.

“Pretty good is hard to beat!” said Gertie, smiling.

I couldn’t help but smile too.

“But something is troublin’ you.  Tell old Gertie about it.  You’ve lost something – something near and dear to you.”

“How did you know?”

“I know lots of things.  I’m almost blind in both eyes now, but I can see things other people miss.  It’s all a matter of paying attention.  Maybe I can help you find what you’ve lost.”

“But I don’t even know where to start looking, Gertie!  I’ve lost my Were Pen – there’s not another one like it in the whole world!  My Pen has been with me through thick and thin, good and bad, highs and lows…I always keep it with me, so I can write in my journal – that is, if I ever get inspired again.  It’s been ages since I’ve had an original thought,” I complained.

“I’m sure you’re exaggerating, you have all kinds of interesting thoughts – let your readers decide what ones are good or bad.  Words take on a life on their own after you speak them or publish them anyway.  Like kids, when some words move out of the house, they never look back.  Readers bring their past experiences to your work, so the stories that you put down may remind a reader of something that happened to them years ago, that has nothing to do with what you wrote, but it means something special to them.  We never know what our words might mean to someone else.  Give your readers some credit – trust them a little bit.  The good ones will amaze you and the lazy ones don’t matter that much.”

“What you just said – your words – are wonderful, I wish I could write them down!”  Out of habit, I reached in my backpack and pulled out my journal.  I gasped.  As usual, my Were Pen was clipped to the journal’s spiral binding, right where it should have been.

“But, but, I could have SWORN I checked that again and again and it wasn’t there before!” I said.

“What’s all the racket?” grumbled the Were Pen.

“I thought you were lost, gone forever, and I’d never see you again, Were Pen!”

“Don’t tease,” it said.  “I’ve been here all the time.  You must not have looked very hard.”

“Sometimes we try so hard to find something we look right by it.  Sometimes, the things we need, are right there with us all along,” said Gertie.

“And sometimes we’re taken for granted,” the Were Pen muttered.  

“Gravel Gertie, meet Were Pen.  Were Pen, meet Gravel Gertie.”

“Pleased to meet you, Were Pen.  I believe this problem is solved, Kezza.”

“Yes, thanks.  Now if I can just figure out where to go, what I’m supposed to do next.  But first, I would dearly love a nice cup of tea.”

“It’s not much, but my home is only a little way from here.  Why don’t you come home with me?  I’ll put the kettle on, and later, if you’re hungry, I’ve got a nice pot of mustard greens that have been simmering all morning.”

 “I’m starving!  If it won’t be too much trouble…”

“Not at all.  I don’t get much company these days; I get tired of talking to the same four walls.  It’d do me good to have visitors.  Besides, it will drive my nosy neighbor Izzy crazy wondering what’s going on!”

So I carefully re-packed my Were Pen and followed Gravel Gertie home to her little white cottage by the sea.  She had a beautiful garden, packed with color, best described as “controlled chaos”.  Beyond the flowers was a trim vegetable patch and a clothesline where the loveliest, most colorful cotton quilts I had ever seen were blowing in the gentle breeze. 

 

(c) Kerry Vincent

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Were Pen – Where Are You?

July 28, 2008

   I packed, unpacked, and re-packed.  I wanted to be sure I had everything I would need for the trip to Mudjimba.  The only problem was that I had no idea what I’d need, because I wasn’t really sure where I was going.  

   “Triton’s coral? Check. Granola bars? Check. Change of clothes & shoes? Clean socks & underwear?  Check & check. Sunflower seeds? Check.  30 SPF sunscreen? Check. Chocolate? Check.  Ibuprophen? Check. Water bottle? Check. Extra juice? Check.”  I wasn’t sure what would happen after I arrived on the island, but I was pretty sure I wouldn’t starve, get sunburned, or be dehydrated.  I was ready for anything. I hoped.

   I swam through the beautiful blue waters and surfaced on a gorgeous beach, perfect temperature, puffy cottonball clouds, bird calls I didn’t quite recognize.  I had landed in paradise!

Mudjuimba Beach, Queensland

 

   I slathered myself with coconut-scented sunscreen and walked along the beach, picking up pretty sea shells, playing tag with the lapping waves.  I followed the shoreline, and as I came around a cove, I saw her:  the Sand Dreaming Woman.

“Drifting with the Current” – Sand Sculpture in St. Petersberg, Russia (Yahoo News Story), by Tatyana Kuznetsova and Vsevolod Averkiev

 

   I wondered who had built this, and why.  A local woman was standing behind the sculpture and said, “She’s a beaut, all right.”

   “Yes,” I agreed, “but who is she?”

   “She’s the Sand Dreamer.  She sits and she watches the tides go in and out.  Day and night, good and bad, then and now, she’s seen it all.  Whatever happens, happens.”

   “What if there’s a storm?  She’ll wash away.”

   “Then she washes away.  Nothing lasts forever.”

   “That’s sad. They should build a wall, like a levee, to protect her for posterity,” I suggested.

   “I don’t think the Sand Dreamer would want that.  The story goes, Sandra Coomer was a real woman, whose motto was, ’This, too shall pass.’  If Sandra were happy, she knew that joy would fade before long.  If she were heart-broken, she knew, if she could just hold on awhile, some day things would be better.  Even on her death bed, Sandra said, “My life has been a great, strange dream, sometimes odd and frightening, sometimes mysterious and beautiful, like the mesmerizing coral reefs under the sea – but I wouldn’t have missed it – even the hard parts – for anything!  Yet, as I always said,  ’This, too shall pass.’”

   I thanked the woman for telling me the Sand Dreamer’s story.  I reminded myself not to waste time, to stop and appreciate the gift of life often.  “Every day is a blessing,” “Nothing last forever,” “This, too, shall pass,”: I wanted to write these sayings down, like a prayer or a chant, before I forgot them.  I dug in my pack and found my journal, but…

   I couldn’t find my Were-Pen!  “Claire, where are you?  Were-Pen, I need you!  I know I packed you! I checked! Where are you?  I can’t write without my pen.”  I was in full panic mode now. 

   I looked at the silent, serene Sand Dreamer sculpture and muttered, “Yeah, I know, ‘this too shall pass’, but you don’t understand. I’m a writer – I live to write and write to live!  

   “WERE-PEN?  WHERE ARE YOU?” I yelled.

 

Kerry Vincent (c) 2008

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Mudjimba – Day Two

July 27, 2008

I awoke feeling disoriented and with a mouth that felt as though it were full of sand.   As I came to I realised it was full of sand.  I had been sleeping with my mouth wide open and part of the beach had drifted into it whilst I was oblivious.  I stirred my body and stood up, shaking myself free of all the sand that had invaded every crease and crevice .   Oh how I ached, my legs were so sore and the rest of me was faring little better.   Hang on a minute, I am still on the beach!  How come?   I was led up a mountain last night, well a large tor at least.  I saw the village.  I saw the waterfall.  I danced all night with the women and drank a fair amount of something deliciously and seemingly innocently fruity yet lethal!  My head had the distinct feeling of not being securely attached to my shoulders.  What a night that was.   I am definitely in the midst of a hangover here and what’s more I have no recollection of returning to the beach.   I slumped back down onto the sand.  Everything was as I had arranged it before napping yesterday.  Ti was fast asleep still, not that she was capable of telling me anything anyway.   Oh my feet…they are so sore and blistered – I did not do that dreaming! I looked around me with great care, any swift turn of head could be disastrous resulting in my losing consciousness or so it felt.   Nothing.  Well no-one in sight.  The beach was as it was, surrounded by lush green vegetation, lots of sand stretching some three miles or so before curving away from sight.  Turning gingerly to look behind me I could see large hills in the not so far distance.  This is all very peculiar.  Memories from the day before were coming back.  I was sure I had been told that I would sleep in the house of Katha and Danu today and when night came I would be taken by Tuiren to her weaving shed to see my tapestry.    Perhaps it had all been a dream, I may have been sleep walking hence the blisters, but it was all so real.

I sat, there being nothing more I could do for the moment.  I reached for my bag to get some water and fruit out.  My mouth felt truly disgusting and I was very dehydrated.  I drank most of the contents of the water bottle before thinking better of quaffing the lot.  I ate an apple and a handful of berries.  That would do for the time-being, I had no idea how long I would be on this island and had only bought sparse supplies.   I wandered down to the sea to rinse myself before proceeding.  I figured I had better start exploring as I was not going to work out what had or had not happened by just sitting here pondering.  The sea water was wonderfully refreshing for my feet and legs, hopefully I would discover fresh water further inland where I could clean myself properly.
I gathered up my belongings, putting Ti back into my breast pocket and started on up the beach.  Which way to go?  I could see several openings in the vegetation and decided to pick a path at random.   I had gone no more than a few feet when I could have sworn I heard whistling.  I stopped.  I listened.  Nothing, save for birdsong and the sound of the sea.   Sighing I started off again…there it was again!  Oh for **********!  I was not in the best of moods it has to be said.
I shouted hello.  Nothing.   I shouted again…..a whistle came in response.   Honestly I could have cried with sheer frustration, why the games?   Probably a “lesson” in there somewhere for me eh? Humph!  I was not at all best pleased I can tell you.  In fact I could feel my temper rising rather rapidly.   I stopped.  I looked all around me.  I could see nothing but the vegetation which was very dense so it would have been unlikely that I would see anyone anyway.   I sighed to myself.  Might as well go on I guess.   There was the whistling again.  Right that was it! I screamed at whoever it was to show themselves or shut up.  Honestly, yes, there were a few expletives in there.  I am not proud.  I could hear laughter, chuckling .  Oh yes very funny.  Here I am on an island with no means of getting off as far as I know, feeling like the wrong end of a donkey, lost, tired, frustrated and aching all over and all they can do is giggle at me.  Very sisterly I don’t think.    Ok, I say to myself, calm down now, breathe.   I tried to calm myself as best I could, breathing deeply to try and relax. Underneath my anger there was fear.  I had thought this island would be a gentle place with wise elder women on it who would teach me about my future, not a place of teasing wenches getting their laughs at my expense, that wasn’t the deal at all – I moped.  Oh good grief I was actually moping, pet lip included!   I had to groan at myself.

“Okay”, I yelled, “I get the message”.

Wolf whistles hit the air.    First one, then another showed themselves.  I knew I hadn’t been dreaming.   There were Katha, Danu and Tuiren.    They came up and hugged me hard.     I had questions but now probably wasn’t the time.

They led me back to the beach and we walked along it towards the east.  Nearing the point where it curved sharply around we veered off into the greenery again.  There was a very definite path.  It opened out into a clearing with huts, ordinary every-day huts.  Nothing fancy just nice little wooden cabins.   My brow furrowed, I was very confused.

“All will be explained”, remarked Tuiren.  “Let’s get some food first”.

We headed towards one of the cabins.  They really looked like the cabins you get in those quasi-rural holiday parks, sort of wooden prefabs with wooden window ledges and the sort of windows that children always draw, complete with tied-back curtains.    We entered and the inside was a bit of a shock.   The door opened into the main room which was very plush in the way it was furnished.   Beautiful stone flooring with tapestry rugs in bright, bright colours.  Two large deep blue sofas which looked like they would swallow you whole – of modern design but obviously built with comfort first and foremost in mind.  These were set around a large fireplace that housed a cast-iron woodstove.  The walls were covered in all sorts of artworks, large and small and there were massive bookshelves either side of the fireplace which must have housed hundreds of books.   What a fabulous room.  It was very warm and inviting, but was not at all what I had expected.     We went through into the kitchen which had a fabulous butchers block table in its centre around which were four ladder-back chairs.  Katha motioned for me to sit down in one of them.  Tuiren sat opposite me whilst Katha and Danu made tea and some food.

“I can see by your face that you are a little perplexed”, smiled Tuiren.
“To say the least”, I replied, “I don’t understand”.

I was given a large mug of tea .   “You drink that and I shall explain”, said Tuiren.      “When women come here, it is often because they want to know what their future holds, or what lesson it is they need to learn, or what they need to do in order to proceed along their chosen path, or even to find out what that path is.”

“Indeed”, I nodded.

“In a way that is exactly what the tapestries are about, but before we take each one to see their tapestry we have to clear their heads of the romantic, idealised notions that they often carry with them.   Is it not the case that what you encountered last night was exactly what you expected, or would have anticipated?  That is a rhetorical question, it needs no answer.   You expected to meet a community of women living an idealised life, in your case, one born out of romantic notions of the past.  That is not to say that what you know and what you would like to see are not true but more that they are one dimensional.  Everyone living in harmony, with communities of women who are the spiritual leaders and who guard the gateways.  A world far removed from the reality of your modern day one.”

I was beginning to feel a little saddened.

“We took you on a journey last night to that very place.  The one in your imagination, complete with the waterfall which we know you are aware was one of the gateways to the otherworld.   We wanted you to experience your own imagination, your own connection to the distant past.   Don’t misunderstand what I am saying.  I am not telling you that what you see is not true, for it is, very much so, but it does not exist in your world any longer.   Do you understand what it is that I am telling you.”

“I think so”, I said, “You are telling me to let go of the past?”

Tuiren smiled such a warm smile at me.  “I am telling you that you cannot find that specific place in your world any longer, but that does not mean it does not exist.  I know this is confusing for you, but you are in danger of spending many years exploring paths of which you already hold a great deal of knowledge, even though you may not be consciously aware of that fact.  In time I think you will indeed be telling the stories of these places and these times, but there are other things you have to do first, that is all.”

I was beginning to understand what it was that she was telling me.

“I think what you are telling me is that what I am wanting to do is to start at the end, to start with the pure rather than getting my feet well and truly dirty by starting at the beginning with this life I am in.  I need to do the groundwork.”

Again that smile.  “Come with me”.

I follow her out of the kitchen door and into the garden at the rear of her cabin.  We follow the path through the vegetable garden, the herb garden and the flowers to the shed at the end.    She stops at the door and turns to me.

“I believe you have something for me?”

I grin and rifle through my bag.  My hand alights on the coral gifted to me by the little boy.   I hand it to Tuiren who literally glows with pleasure at the sight of it.

“Thank you.  Come in.”

She leads me into the weaving shed and there before me is the tapestry.

“This is your tapestry”, she says.  “Sit down and we shall discuss it”.

Jill

http://wyrdspirit.wordpress.com

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Confronting the Triton

July 22, 2008

            “Were-Pen, where are we going next?”

            “Triton’s Lair,” she replied.

            “Under the sea?”

            “Yes, of course.  Where else would an ocean god live?”

            “Just one little detail, hardly anything to worry about, but, well, you’ve got some metal bits that might corrode in the salt water, and me, well, maybe you didn’t notice my lack of gills, but I’m a land mammal.  I can’t breathe underwater.”

            “Oh ye of little faith!” said the Were-Pen.  “This is Lemuria!  We’re not bound by the laws of physics!  You’ll be just fine!  Just dive in!  The magic will work!”

            “But what if it doesn’t?”

            “You must believe.”

            “That’s just it, Were-Pen.  I have this itty bitty problem called a complete lack of faith.  The gods tend to hold disbelief against you.”

            “Maybe in your world, but this is fiction, and anything can happen, so here we go!”  The Were-Pen sharply prodded me in the back and I took a giant leap of, well, maybe not faith, but I was definitely stepping out past the point of no return.  And to my great surprise, it worked!

            “It’s amazing!  How did this happen?  I’m here, under the waves, and I’m breathing just fine.  It’s a miracle!”

            “Not really,” said the Were-Pen.  “Your life on land, that was your past, but you have to go on.  The tide goes in and out, with you or without you, it’s the law of ebb and flow, flotsam and jetsam.  You can’t step in the same river twice, it moves on, just go with the flow, don’t look back, however you want to say it.”

            I looked at the Were-Pen.  “You are very wise.”

            “Of course I am.  I have been used to record man’s wisdom through the ages.  You didn’t think I’m just any No. 2 pencil, did you?”

            “No.  But what is your name, if I may ask?”
            “You may call me Claire, short for Clarity, what you discover when you write down your thoughts, emotions, history, culture, stories.”

            “Claire, is Triton as fierce as they say?” I asked.  The stories I’d heard were terrifying.

            “He does have a temper, and no doubt about that, but he’s not all bad.  Certainly, he is the god of hurricanes and tsunamis, but he is also the god of moonlit beaches and silver sunrises over the seas.”

            “I hope you are right, Claire, because I do not think he will like his gift.”

            “Often we receive gifts we did not ask for, and may not like.”

            “True, and sometimes they are just what we needed, though we don’t realize it at the time,” I agreed.  “But I wonder how the Triton will react to an unpleasant lesson in humility?”

            “We’ll soon know.” 

           Claire and I entered magnificent rainbow-colored coral gates, and stopped before the Triton’s Castle-Under-the-Sea.  I rang the knocker, an ornate, antique brass anchor.  I heard no sound, but felt vibrations.

            “Who knocks?” an ancient Gray Dolphin asked.

            “Kerry and Claire, If you please, with a gift for his lordship the Triton,” I squeaked.

            “More likely a trinket to barter your passage to Mudjimba,” the Gray Dolphin muttered.

            “Yes, it’s true, we do ask his lordship’s permission to pass unharmed….We apologize for bothering your royal highnesses,” I said, trying to curtsey, which, under water, was not so gracefully executed.

            “Tourists,” the Gray Dolphin grumbled.  “Follow me.  Triton is bored today – perhaps frightening you will entertain him, at least until Wheel of Sailors’ Fortune comes on…”

            “Sire, some tourists for you to terrorize,” say the Gray Dolphin, then swam back to a safe distance.

            The Triton thrashed about and drew himself up to his full height, 20 feet at least, and his seaweed hair and beard billowed out in ragged, murky tentacles.  His eyes were as red as the center of a volcano.  His torso was huge, barnacled, and broad as a boulder.  The bottom half of his body was dark green and scaled.  He had no legs, only a powerful fishlike tail, which constantly flipped, like an angry cat’s.

            “What do you want?” he roared.

            “I stumbled, knelt, and shakily said, “Please, o Great Triton, may we pass through your kingdom safely, to Mudjimba Isle?”

            “What’s in it for me?  And it better be good.”

            “I have brought you a most special gift.  It comes from long ago and far away, from New England, in North America.”

            “Near the coast of the Atlantic Ocean?” he asked.  I nodded.  “Let’ see what you have, then.”

            I opened my Enchanteur’s bag, and pulled out a tiny iron scrollwork balcony, which grew to its full-size when it entered the salt water.  “They put these rails on balconies upstairs of homes, where the women would look out to sea, waiting for their sailor husbands to return home.  It’s a widow’s walk, because so often, the men were lost at sea.” 

            “You blame me for their deaths?”  The Triton’s eyes glowed with rage.

            “No, of course not,” I said quickly.  “You can’t stop the ocean’s ways.  You can’t stop the tides.  Whenever humans go to sea, we take a risk.  This widow’s walk is a token to honor your power, and, perhaps, a reminder, that what you do may impact someone else miles away from here and years away from today.”

             “Mortal, who are you to tell me how to rule my kingdom?”

            “No one.  I have no right.  But I strive to be a writer, and it is my sacred duty to try to tell the truth, humbly, even when I am afraid.  Please forgive me.  I must try my best to speak true, even when the words are hard to tell, and hard to hear.”

            The Triton looked hard at me, broke off a piece of living coral, and handed it to me.  “My reef is sacrificing some of its life to ensure your safe passage to Mudjimba.  I know how unpleasant it is to be the bearer or hard truths.  Your way, like mine, is not an easy one.  People will not thank you.  They will not want to be with you.  You may earn their respect, but not their love.  It is a loneliness as wide and as deep as the seven seas.  You will suffer enough – you need suffer no more at my hand.   You may pass through my kingdom with my blessing.  Go.”

Kerry Vincent (c) 2008

(Washington National Cathedral, light art by Gerry Hofstetter, re-colored by Kerry Vincent)

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Approaching the Triton – Another Were-Pen Adventure

July 22, 2008

 

“Look out, Triton, here I come,” I yelled, splashing noisily.  “You over-rated Fish Face, show your ugly mug!”  

“Um, it is not wise to summon the mighty Triton so rudely,” said the Were-Pen.

“Well I hate being wet, and getting in the water, it’s cold and it smells like fish guts,” I complained.

“That may be, lady, but Triton is lord of the sea, and when you humbly ask him a favor, you must go to his realm.  He is a magic merman and he will grant you safe passage through the deep to the Isle of Mudjimba – if you give him a gift he deems worthy.”

“Can’t I just charter a kayak?”

“I swear, your insolence will make my ink dry up one of these days!”

“Sorry, Were-Pen, but I’m mad as a wet cat.  I hate to ask anyone for help.”

“Perhaps that is a lesson you are here to learn.”

“I hate lessons about humility!  They’re so – humiliating!”

“No one’s perfect.  People make mistakes.  That’s why they invented White-Out.  Why should you be any different?”

“I’m not, I know, but it doesn’t make me feel better to know other people make mistakes, too.  I wish I could do everything right – the first time – and then I’d never have to ask for help, from anyone.”

“You mean so you’d never have to risk being rejected.”

“Well, yes,” I admitted.

“Do you like to help people?” asked the Were Pen.

“Very much.  It makes me feel good, useful, and capable.”

“Maybe others would like to feel that way too, but they can’t, because you won’t give them an opportunity to help you.”

The Were Pen had a point (besides its usual ball-point!)  “Maybe you’re right,” I conceded.

The Were Pen danced some concentric circles in the air.  “Glad to be of service!”

“Thanks, but quit flouncing around, I’ve had my perkiness quotient for today.”

 

Kerry Vincent (c) 2008

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Mudjimba -Arrival

July 18, 2008

I walked up onto the beach, glancing over my shoulder for one last look at Gruff as he became a mere dot on the horizon.   I sat down on the warm sand, Ti climbing out of my pocket to go sun herself.

So much had happened since I first arrived through the portal onto Rainbow Beach merely by taking one step after another and now here I was on Mudjimba.   Even though I was so excited to be here I decided to take a nap as I was dog-tired and there was no-one around.  I wanted to be refreshed before I set off to explore the island.

The next thing I knew I was surrounded by women chanting, their voices rich and sonorous, resonating deep within the earth.  We were walking uphill – I looked up and saw that the incline we were on was almost vertical, I wasn’t sure my legs would hold up but as we were taking a circulatory route I hoped the climb would be gentler than it looked.  We were surrounded by lush and verdant undergrowth, plants I had never seen before with the most wonderful brightly coloured leaves, some with spikes, some with flowers and others with what I assumed were fruits.   It was as if each one were trying to outdo the other in their splendour.   I was amazed they could grow so well from what appeared to be rock underfoot.  It was difficult to take it all in, the women, the scents, at once earthy, yet spicy and fruity, the sounds of their singing, the bird calls, the insect noises and so much colour – a total assault on the senses.  The women themselves were like the plant life in that they were many and varied in size, shape and hue although in terms of age they seemed to all be elderwomen.  No-one was speaking, not to me, not to each other…there was only the singing and the sounds of nature all around us.  In the distance I could hear the sea but closer to there was a roaring and whooshing that was clearly water and probably heralded a waterfall.  I wondered if that was where we were heading.

On and on we went, round and round, up and up…the roaring getting louder and louder.  To be perfectly honest I was getting a bit hacked off what with all the singing and no-one speaking to me but thought I had better keep my own counsel for the time-being, after all I had no idea what was in store for me.  I didn’t have long to wait.  We rounded a corner and came upon a large outcropping which overhung the path we were on almost obliterating the view ahead.  I watched as the women in front of me slipped into single file and had to flatten themselves to the ground to get through the small gap left by the rock…I followed suit as did those now behind me, we were like a string of snakes sliding through, although I suspect nowhere near as graceful.  No easy escape then should the need arise!

The waterfall was now before me, rising hundreds of feet into the sky – a magnificent sight.   At the base of the fall was a large lake from which, in turn, flowed a stream that I could see now meandered down the hill we had just climbed.   How odd that I had not noticed it on the way up, perhaps the plant life hid it.    The lake itself was surrounded by steps of land reaching up into the rock face either side of the waterfall.  Clearly these were cultivated in part, crops were visible on the far side of the lake.  On this side were what I assumed were dwellings, their homes.  There were many of them scattered over the meadow in front of me and on the steps behind. They were all of them round, somewhat like traditional hogans although nowhere near as big and looked to be woven from reeds or plants of some description, although I would have to get closer to be sure.  They would each accommodate two people at most I would think and those closest to the falls were sheltered from the spray by shrubs which had obviously been planted deliberately for the purpose, the leaves of which were enormous and acted as natural umbrellas.

Everyone was now through the natural gateway, or slither-way as seemed a more apt description and we wound our way into the village.  Still no-one spoke…this was becoming tedious, my impatience poking through my skin again – even in the midst of such an adventure I was still capable of being a pedant!  I chuckled, raising my eyebrows at myself.   As we approached a cluster of houses I could see there was a small group of  half a dozen or so women sat together on small stool-like affairs, the welcoming committee perhaps?   The singing gradually slowed to silence as we came close to these women, those around me receding leaving me standing alone in front of them.  I wasn’t sure what I was supposed to do, bow, curtsey, genuflect…I had no idea, so I simply smiled.   The women before me were older than those that had accompanied me who were nearer my own age I guessed, although it is never easy to tell and at this precise moment I felt to be a child of about seven, a little anxious and shuffling of feet!  I wondered if these were perhaps the elders of the village, the old women from whom the island gets its name.    They smiled back at me, standing now, peering into my eyes as just about everyone I had met so far had done so before them.   They were certainly a mixed bunch, but it was obvious that theirs had been lives of hard work and learning, that much was clearly etched into their fabulous faces.

“You are mine”, so said the third one from the left.  “My name is Tuiren, I am your weaver and tomorrow I will take you to your tapestry.  Now it is time to welcome you.  All is prepared, tonight we shall feast and make merry until the moon disappears and the sun returns.  You will then rest, waking once the moon rises again into the sky when I shall take you to the weaving sheds.  All here are friends so go and enjoy yourself.”

The women seated themselves again and a couple from the group that accompanied me on the climb took me by the hand, “We will show you where you are to stay”.    I bowed my head to the elders, thanked them and turned to go with these women.  “I am Kathla and this is Danu.  You will share our home for this part of your stay – we will have great fun tonight.”

Jill

http://wyrdspirit.wordpress.com

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The Tapestry Revealed

April 12, 2008

For a fortnight Miriam continues to care for me; changing my dressings and feeding me powerful medicinal concoctions. Each day I can feel my strength returning and gradually Miriam allows me to venture further and further.

At first I limp slowly around her neat whitewashed house, then, as my wounds heal I take to walking in her beautiful tropical garden. Soon I am outside everyday helping her collect fruit and herbs which she packs into baskets and carries to the market once a week. Eventually Miriam announces I am well enough to join her the next day at the market. I am so excited. It has been weeks since I have seen anyone.

That evening Miriam ushers me into her work room. Its walls are covered with silks and threads of every colour imaginable.

“You need to see this now before anyone else speaks to you.” she says. I am puzzled and intrigued.

On the wall, bathed in  candle light, is a vibrant tapestry.

“Is this mine?” I whisper

“One and the same.” Miriam answers.

“Oh, Miriam,” I sigh, “It’s beautiful.”

mudgimba tapestry blog finish

The scar on my arm begins to tingle and I rub it gently,

“That purple symbol?” I begin to ask.

“The Goddess,” Miriam replies quickly and gravely,” A powerful symbol.”

I lift my shirt sleeve and gasp as I see a mirror image of my scar reflected in the tapestry. The only difference being the inner circle on the tapestry is filled with what looks to me like water.

“How?’ I whisper.

“You are protected by some powerful magic Chefleur,” Miriam explains, ” These images came to me long before Vito carried you to my door; long before the Grey Wraiths tore your flesh and left you your scar. You and I were destined to meet through this tapestry but I cannot tell you what this all means. My sisters and I have spoken at great length about your wounds and the symbols that surround you. We have ideas but no answers; it is up to you to decode them and find their meaning.”

Miriam hands me a small woven bag. I tip the contents into my hand and find runestones imprinted with the same symbols that are woven into my tapestry.

“Sleep with these under your pillow tonight and the true meaning of your tapestry will be revealed,” Miriam explains. She also gives me a small, hand-printed book. Inside are the runes with a brief description of their meaning.

“This will help you understand and read your tapestry and your dreams will help you understand it more deeply.” Miriam smiles gently,” There is a lot to take in, I will leave you tonight and we will talk tomorrow. Sleep well my friend.”

That night I sit in my bed with the small book in my hands and the runes on my lap.

creativitycreativity

powerpower

energyenergy

fearsfears

destruction_edited-1destruction

changechange

rebirthrebirth

protectionprotection

rewardreward

I absorb the symbols and their meanings. I gently put the bag under my pillow. I close my eyes and I dream.

Chefleur

12.4.08

http://meetmysister.wordpress.com/

http://chefleur.wordpress.com/
 

 

 

 

 

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flying carpets

March 14, 2008

mini carpet (bookmark)This mermaid has been calling us to rest before our trip on to Triton’s Lair.

While resting, I made a couple of carpets suitable for shrimps, clams and other creatures of similar size.

The more I dive into everyone’s work, the more the ideas come to my mind. Learning new points can make you do useful things, sometimes. Here, I give you these flying carpets so you can rest while travelling!

Manon

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Arriving At Mudjimba

March 9, 2008
The Chine

The sun had almost sunk below the horizon by the time I returned to the Esmerelda, and I realised I must have spent longer in Triton’s cave that I thought.

“We won’t be able to get over to Mudjimba tonight”, Captain Sorensen told me, “because the tide has turned, and there’s not enough clearance for Esmerelda. We’ll have to wait for the early tide and moor in the morning.”

That was fine by me. Truth be told, I relished the idea of spending the night in my quarters on board, being rocked to sleep by the motion of the waves.

As the light faded, pinpricks of yellow appeared on the cliff sides above Mudjimba dock. I asked the captain what they might be.

“Those are the hanging cottages of Mudjimba Chine”, she told me. “They line the cliff path from the landing stage up to the village proper. They are quite famous. The houses are built into the cliff side. You can only see the fronts, because most of the rooms are carved back into the rock. You’ll see them up close tomorrow, as you climb the path, because that’s the only way up to the village, at least in this side of the island.”

That, I decided, would be something to look forward to.

Next morning as we made fast at Mudjimba. A hive of dockers looped ropes around bollards and maneuvered a gangway onto the ship. Captain Sorensen barked orders and supervised the discharge of her cargo. I found myself feeling just a little lost amidst all the bustle and shouting, so I picked up my staff and set off to explore Mudjimba.

As the captain had said, there was only one way to leave the landing stage, and that was up a series of wooden ladders and pathways that led past the hanging cottages and onto the cliff top.

The climb was steep in places, but I took my time, and as I passed house after house, I realised that no one could enter Mudjimba unseen, at least not by the route we’d taken, and that the inhabitants would get a good look at every stranger who passed. Many of the cottages had what I knew as farmhouse doorways, divided doors, with a bottom that could be closed while the top remained open. The doors to many of the cottages stood open, and at the sound of approaching steps, someone invariably appeared to take a look, offer a greeting, and, of course, exchange news and gossip.

Shanklin Old Village

It took me an eternity to climb to the top of the chine and enter Mudjimba village. The layout seemed so familiar to me, and I realised it was like a village I’d lived in as a child, with a central green and a square that housed a stone-walled well and one or two small stores. The rest of the village was made up of low, thatched houses with brightly planted gardens, lining lanes that drifted off from the square in all directions.

I’d heard Mudjimba referred to as “Old Woman’s Island”, and it was easy to see why. Most of the people I saw were women as old as myself and older. Make no mistake there were some children, youngfolk, and men, too, but they were few in comparison.

I was just making my way across the village green to a many-armed signpost when a group of women shouted to me and beckoned me over to the well. A wooden bench ran all the way round the wellhead, and it had been roofed over with an expansive wood and thatch construction, to provide shelter from wind, sun, and rain. Approximately twenty women had gathered beneath the canopy to chat and food and tea brought along in wicker baskets.

One of the women introduced herself: “I’m Molly Bold by name and nature”, she said, and laughed. “Welcome, welcome to Mudjimba. Come on over and take a rest. You must be famished after that climb.”

I was plied with morsels of delicious food and mugs of hot, sweet tea. Then the women fired questions at me:

“Where are you from?” someone asked.

“Where are you headed?”

“Are you looking for something in particular?”

“Any news from Rainbow Beach?”

“Are you looking for that group of journeywomen?”

“Who are you sailing with?”

In between eating and drinking, I tried to answer all the women’s questions. In the end, everyone knew what little I had to tell and knew why I had come to Mudjimba.

“So if I get this right”, said Molly, “you need to visit the Keeper of Mudjimba and then find out who is working on your vision piece, so you can ask to see it.”

I was relived Molly had managed to piece together the essentials from the melee of questions and answers and general chatter.

“Yes”, I said, “that’s about the size of things.”

Molly looked at me thoughtfully. “Can I ask you what color your coral is? I don’t need to see it; I just need to know the color.”

Her question puzzled me, but I saw no harm in offering a reply. “It’s black”, I said.

She paused before saying anything. “I had a hunch it might be”, she said. “It’s been a long time since one of you came this way. Let me think….”

She counted silently, mouthing numbers as she moved her fingers.

“I was a youngster then”, she said, after a while. “It was just before I left Mudjimba to learn my trade in Rainbow Beach. Must be something like, oh, coming up five-hundred years ago now, in human time.”

“One of whom?” I asked. I knew, of course, that we were thinking the same thing, but I had learned from childhood not to advertise the fact, and I wanted to be certain. I could see she realised this, too.

“One of the Halfborns”, she replied. “Not many of you pass this way any more… not since the changes.”

The changes were one of the few things that permeated all the worlds. Normally, the eternal worlds like Lemuria remained impervious to shifting events of the mortal worlds — the “real” worlds, as their inhabitants liked to call them. But the changes had altered the very fabric of reality and threatened the Otherworlds darkly. As with most things, the changes had begun with the best intentions. There had been a widespread awakening in the mortal worlds, with increasing numbers of people becoming aware that there was more to the world and events around them that met the eye. Some of the awakened set out to examine and describe the unseen, and they succeeded, but they also failed to realise that there was so much they could not know. However, instead of acknowledging the extent of their understanding, they concocted dark and mainly erroneous explanations for what was beyond their grasping. There were fearmongers in their number — men and women who chose to peddle doom so their own unknowing would not be so easily seen. And when fear was not enough, they turned to denial, strangely enough, calling on the authority of equally unproven entities to affirm their words and threaten punishment to those less able to think that they were. If only they could have known how close they came to the real truth, and how freely they might have been given of it, had they deeply desired…

The self-appointed truth sayers rampaged, burning and killing those who held to the old ways, seeking out and murdering those who had knowledge of the Otherworlds, and many who had none, but were named as such purely out of malice.

For their own protection, the Otherworlds closed themselves to the human worlds, save for a handful of portals. Many Otherworlders whose portals were sealed were trapped in human time and ended among the slaughtered. Those who remembered the old ways and Otherlands kept to themselves, and the knowledge grew thin and then was lost, except in a few families who continued to pass between the worlds, albeit with great difficulty and in the utmost secrecy.

Even when the times changed again and became less dangerous, the knowledge was kept close, for fear the troubles might flare up once more. And when finally the knowledge of the worlds and their ways resurfaced, it took the shape of fairy-like tales and parlour games for grown children. The crystals, the herbs, the music, the star charts were in every hand, but their true nature and their deep power escaped most of those whom they fascinated. And still we kept our silence, for we had learned that true sight shared causes fear and that fear only too easily translates to danger.

“The Keeper isn’t here today”, Molly said. “You’ll find her cottage near the Field of Stones. You can’t miss her place. It’s about three hours’ hike.” She pointed in the direction of a lane that led uphill out of the village.

Though I was half-reluctant to leave the cozy round, I got up and shouldered my pack. “I’d best be on my way, then, if I want to return by nightfall.”

Molly reached for a teacloth, in which she wrapped a slice of cake and some sandwiches, then deftly tied a knot and bound it to the strap of my pack. “That’ll keep your strength up”, she said. “We’ll likely be here when you get back, so I’ll probably see you then.”

I thanked Molly and waved a goodbye to the group of women before striding out in the direction of the hills.

Photo (Shanklin Chine): Project Gutenberg (Public Domaine)
Photo (Shankin Old Village): Christophe Finot, ShareAlike 2.5 License (Creative Commons)

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Meeting the Tanagran Triton

February 27, 2008

After such a glorious retreat on Rainbow Beach I was eager to be on my way to Mudjimba Island. I was excited to meet the women there and to especially see the woman working on the tapestry of my creative future.

But there were stops I had to make on the way. First I want to spend some time with the mermaid calling out from her shell. I wanted to see her before Triton so that I could hear her calming music in order to calm my nerves. Who knows? She may even be able to give me some advice about what to do during my meeting with Triton.

So off I went in my boat with my own captain who was a very nice man called Trebor. Trebor talked to me about Mudjimba as we travelled, telling me tales about the women there and what I might find when I arrived. The water was calm but my eyes kept straying to the snorkeling equipment lying on the seat beside me. Soon I would have to suit up and dive down to meet Triton.

We stopped to spend some time with the mermaid who played her music much more than she talked. But just before we left she did give me a few bits of advice about Triton: “No sudden movements” and “Be mindful of his sadness”. The second piece of advice baffled me as much as I understood the first piece. I reminded myself that during this trip I will let be what will be and try my best to be present in the moment so I put my worries aside and let Trebor sail me to my next destination.

It didn’t take long before Trebor had stopped the boat and started to help me with my snorkeling equipment. It felt strange for a landwalker like me to be wearing such a thing but I was grateful for it when I had finally dived down and as per Trebor’s directions, gone looking for Triton.

In the end it was Triton who found me.

triton.jpg

I must have be swimming around too near his lair and he had detected my presence. Quick as a flash he loomed up in front of me, holding an evil looking staff and I tried not to swim away in fright. He regarded me coldly as he cocked his head to one side and bared his teeth at me. Despite his show of mild aggression, I now saw what the mermaid meant. He was sad. He eyes said it all. They glowed red but were filled with such a melancholy that my heart went out to him. I wanted to reach forward and touch his face but instead I reached into the pouch I carried around my neck took out a token which I had made with love for this poor creature who seemed to need it more than me. I pulled out a necklace I had made from the seashells I found on Rainbow Beach. At the time, I had looked for the most cheerful colours I could find to make the necklace and I could see Triton’s eyes light up with pleasure as I held it out to him.

In a gesture of trust that touched my heart, he swam towards me, turned his back, lifted his hair and indicated that I should put the necklace around his neck for him. When I had, he looked down at it and tenderly touched some of the shells. Triton unscrewed the top of his staff and took out a large purple Triton Shell and handed it me. I understood from Trebor that this was the item that would be taken at the port of Mudjimba Island.

I bowed my head in thanks to Triton and then he disappeared as quickly as he had appeared before. I awkwardly swam back up to the surface where I found Trebor waiting patiently for me a few yards away. He moved the boat closer and helped me to climb in but when I tried to show him what Triton gave me, he told me to put it away and keep it safe for Triton’s gifts were for the eyes of only a few.

I put my purple shell into the pouch around my neck and felt honoured to have finally met Triton who proved to me that fears are often scarier than reality.

Image and text copyright Stacey-Ann Cole Soultide

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My offering to the Triton

February 27, 2008

I got this mission:

They must snorkel or dive down find the Triton and appease it in some way. The appeased Triton will give each traveller an identifying piece of coral that will be taken at the port at Mudjimba island. It must be given to the Keeper of Mudjimba. (read here)

crocheted flower

Will he like this flower I made? Maybe he could use this as a charm… if he casts a spell on it, or decorate his beautiful hairs. What do you think?

I’m sure I’ll make good use of the piece of coral.

 

Manonf – 2008 – available also here

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The Sparkle

January 30, 2008

 The trip to Mudjimba was uneventful. I was grateful. A nice peaceful boat trip with no pirates and no trouble was definitely a good thing. When the bottom of the boat ground against the sandy shore of the island, I rolled up my pants cuffs and stepped out into the foam at the water’s edge. I shouldered my pack and made sure I had all of my things with me. I didn’t know where I was going next and I wanted to be prepared, come what may. I looked around.

The island was silent except for the sounds of the waves and the wind. I turned back and asked my guide if this was really the place. He nodded and assured me that it was. “But you need to go into the center,” he said with a smile, and indicated the jungle in front of me.

I sighed and trudged through the sand to a nearby rock, where I dusted off my feet and put my socks and boots on. When I looked up again, my guide and boat had disappeared. Well, that did limit my options. I started looking for a gap in the heavy growth so that I could “go into the center.”

About a quarter of a mile down the beach, I found a small opening, framed by flowering vines. I ducked in and followed a narrow path deeper into the jungle. I could hear birds around me and saw bright flashes of color in the trees nearby. A small creature ran across the path in front of me, and sweet smells from flowers and fruit danced into my nose. It was cooler here, too, which I appreciated with my heavy load. After about half an hour, I heard a faint roaring noise.

The noise grew louder and louder, and I thought I must be near a waterfall. That was odd, because when we were approaching the island, I didn’t remember seeing any hills that would cause a waterfall.

I came out of the jungle into a sizable clearing. Luxurious green grass carpeted the ground and surrounded a large pool of water in the center. In the middle of the pool was a huge rock, with water pouring down all of its sides; this was the noise I had heard. It wasn’t a waterfall, but an enormous fountain instead. The pool was surrounded by rocks, set flat and smooth in the ground. A series of stepping stones went from the edge of the pool to the fountain at its center.

Was this what the guide had meant by finding the center? I scouted around the clearing. There were several benches at the edges and flowers bloomed beside the jungle, but I couldn’t see anything else. There were three more entrances for paths; they seemed to be roughly north, south, east and west. I almost went down one, but then I decided to look around here some more first.

I took off my gear and my boots and socks and after making sure I had my bag from Enchanteur and my piece of red coral, I stepped carefully out onto one of the stepping stones. My balance isn’t the best, and I teetered a bit, but then I steadied myself and took another step. About five steps out, the rock I put my foot on wiggled, and I went splash! The water wasn’t deep or even cold, but my dignity was a bit strained and I was glad I was the only one here. I stood up and waded the rest of the way to the rock in the center.

All I could see was a rock with water cascading down it – lots of water. If I hadn’t been wet already, I would have been after checking out that rock. I felt it all over for holes and openings, even for places my piece of red coral might fit, but there was nothing. It was as solid as, well, as solid as a rock.

Defeated, I waded back over to the edge and sat there, dangling my legs into the pool and dripping. As I sat there, a bird flew past me in a bright flash of green. He spiraled up and around the rock fountain. A second bird, a blue one, joined him. Then came a yellow bird, and a white one, and a red one. They were all darting and weaving around the fountain like feathered ribbons – it made me think of a Maypole dance, or perhaps Japanese cord braiding. I lost myself in the beauty of it. The sparkling water, the darting, dancing birds and the soft lap of the water around my legs distracted me and relaxed me. I forgot my frustration and started to smile and enjoy the show.

And as I did, something happened. The fountain disappeared; its roar softened and gentled into the singing of the birds as they flew in their intricate patterns. The water around my legs went away and I was sitting on a bench, looking at a path into a valley dotted with small buildings. Even the vegetation had changed – it was no longer a jungle, but a rich forest with all sorts of trees and bushes in it.

The birds suddenly darted off and I was alone again. There was only one thing to do. I stood up and started down the path. The sun was warm, and fortunately for my bare feet, the path was grassy and soft. I could still hear birds calling in the distance and a soft breeze brushed by me. I headed for the first building.

It was a small hut, with just enough room for a table and chair in it. A woman with long white hair and a cheerful wrinkled face sat there, looking out at the world and humming. She seemed to be quite content just to be – I wished I could be that serene.

“Well, my dear, I see that you found the way in. The center is the center of yourself, of course – silence and stillness and just being are the ways to find that, you know.” She smiled at me.

“The birds are to thank for that. I was all about action.” I smiled back ruefully.

“No, if you had not been able to stop and see the birds and relax and enjoy them, then it would not have worked. You were ready. You just needed a small prompt. Now, then, can I see your coral?”
I fished the coral out of my pocket and handed it to her. She nodded and placed it in a pouch at her side.

“Can I offer you some dry clothes? A bite to eat? The spinners and weavers will wait for a bit, you know, and you’ll be more comfortable if you change and eat first.” She was leading me farther down the path as she spoke.

“Ahhh…sure. That would be nice,” I answered as she led me into another small building.

She looked at me carefully and then rummaged in one of several chests in the room. “With so many spinners and weavers here, there are always spare items of clothing for our visitors. You’re lucky you only arrived wet. Some of them are much the worse for wear. I remember one who had fallen out of a tree trying to see into the top of the fountain. Her things were in tatters!” The woman chuckled, and then emerged from the trunk with a cobalt blue caftan in her hands. “Here.” She thrust it at me along with a few other things. “Go and change over in that room,” she nodded at a door in the wall behind me, “and then come back out and we’ll see about some lunch. Then you’ll be ready.” She nodded decisively and gave me a gentle push in the direction of the changing room.

I happily peeled off my wet clothing and put on the things she had handed me. Silky soft underthings went on first and then the dress itself which was flowing and comfortable made in my favorite shade of blue with a delicate pattern in a lighter shade of that color. There was a brush in the room, and I untangled my wet hair and fluffed it so it would dry faster. Then I hung my wet things on hooks to dry and padded back out into the main room, where a table had appeared. It was set with a light lunch of bread and cheese and fruit and a fragrant tea to drink with it.

My guide joined me, and when we were done eating and chatting, she winked at me and poked around in the pouch she carried. “Ah, here it is!” she exclaimed, and pulled out two bars of chocolate. She handed one to me. “Chocolate finishes it perfectly!” I agreed wholeheartedly, so we enjoyed our dessert before setting off again.

We passed by several small cottages before we came to the one I was to visit. It was a perfect little place, with a thatched roof and stone walls and flowers spreading out from it like light from a lamp. Birds fluttered all over the garden, and butterflies rested on the flowers. I was charmed.

My guide simply smiled and opened the door, letting us both in. We entered into a large open workroom.  The first thing I saw was a spinning wheel with a bobbin half-full of spun fibers. I looked at it more closely – it was fine and smooth, the colors in it changing and sparkling in the sunlight that shone in through the windows. My guide sat down at the wheel and took the unspun end of fiber which had been tucked around a hook on the wheel.

You?” I asked, my eyes growing large.

She laughed heartily, “Yes, me. I am your spinner, your weaver. I wanted to walk with you and chat with you before you knew who I was. Now you can observe me!” She started treadling the wheel. I was confused, because there was no basket of prepared fibers there to spin. But before I could ask, she put her right hand behind the left one holding the spun fiber, as if she were drafting more to spin. And when I looked between her hands, I could see a sparkle of something.  I could almost see fibers there being drawn out to the right thickness before the spin from the wheel ran into them. Then there was a flash as she let them run between her fingers and wind onto the bobbin. I could see colors of all sorts running onto the bobbin, which was filling amazingly quickly and smoothly.

“I am spinning from life, from experience, not from wool or silk or cotton. It is a special thing to be able to spin.”  She looked up at me and smiled. “Today’s spinning is colorful and smooth. Other times, it has been dark and lumpy and scratchy. One moment, and I’ll show you.” As she spoke, the bobbin finished filling.

I rubbed my eyes and looked at the full bobbin unbelievingly. She laughed again. “Do you remember the saying, ‘Seven knitters for one spinner, seven spinners for one weaver’? I have to be able to spin quickly to keep up with myself weaving!” She pulled the bobbin from the wheel and put it aside for now. Then she led the way to the largest loom I had ever seen. I had seen looms with no harnesses, with four harnesses and with eight. This one seemed to have countless harnesses. Every time I looked at it, there seemed to be more. I shook my head to clear my eyes, but still it changed. The woman had seated herself at the loom, and with her feet playing over the foot pedals like an organist playing an organ, she began weaving. The shuttle flashed back and forth like lightening, the reed darted back and forth, and fabric flowed from the weaver in intricate patterns and designs. After she wove for a few minutes, she stopped and stood up.

“Yes, this section is light and beautiful. See the sparkle in it? Your fabric almost always has a sparkle, even when it grows dark and rough and uneven. You like to look for the good, even if it is only one little thing in a great huge time of darkness. This is a good thing, and binds your fabric together with joy.” She unrolled some of the finished fabric, showing me different sections and the patterns in them. “Never lose the sparkle, She Wolf. There will be times when it wants to go away, but you must always look for it, and if you do, there will be at least a fine thread of it in your fabric. It is important, that little bit of sparkle. Always look for it, no matter how hard it is to find.” She traced the sparkle with her forefinger. I nodded, unsure of what to say.

“I’ll try,” I said finally.

She nodded. “That’s all anyone can do, is try,” she answered gently. “Now come with me once more.” She led the way back to the spinning wheel, where she put a fresh bobbin on to be filled. Sitting down, she spun for just a few moments and then stopped. There was only a tiny amount of thread on the bobbin, but it was beautiful – colorful and filled with the sparkles of joy. She took out the piece of coral I had given her and wound the thread from the bobbin onto it, tying it off when she was done so it wouldn’t unspin itself.

“Take this with you. This is the thread of your time here. You may want it, or need it, down the road. It is yours to do with as you will, and do not hesitate to use it if you need to or even just want to.” Then she presented me with the thread-wound coral.

I took it, marveling at the beauty of it. “Thank you. This is a priceless thing. Thank you so much.” I looked up at her and smiled.

She smiled back and said, “You are welcome, but it is truly yours. Just don’t forget that the best things in life, the truly priceless ones, are the ones that you share with someone else. And never forget about the sparkle.”

As she smiled at me, she looked me in the eyes, and the sparkle that was in her eyes surrounded me, drew me in, and filled me. When my eyes cleared again, I was standing by the roaring fountain and the pool once more. I held the coral with its precious thread wound around it in my hand. My clothing, now clean and dry, was folded on the ground beside me.

I stood there staring at the coral in one hand and smoothing the other over the dress I now wore. If it had just been a dream, I would not have had either of them. And yet my time there had a dream-like quality. I ran my finger over the thread, remembering. Then a bird swooped down and pulled at my hair, jarring me back to here and now. I thought about the woman, the visit…I put the coral in my pack, picked up my things, and walked back into the jungle, lost in thought.

-She Wolf © 2008

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The Poet’s Dream

January 30, 2008

Medieval Lovers

 

Castles in the air bring interesting dreams, which soon became evident, in

the memories Faerie Wren and I had on preparing to make the

journey back to Rainbow Beach.  We felt the inspirations of

poet’s dreams, read about them in the vast library,

 including T. E. Lawrence on dreaming and living.

Though Faerie Wren did want to underpin the

magical with a few facts for the intellect.  Yet the dream really

needed no thought at all, beyond the dream…

which was really perfection itself.

 

 

(Thanks You Tube for the vintage clip, Cyd Charisse and Gene Kelly,

dancing the dream sequence from “Singin’ in the Rain“, 1952.)

 (altered clipart courtesy karenswhimsy online.)

(copyright Imogen Crest 2008.)

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Giants, Laws and Magic

January 27, 2008

Woman Giant

“Every action has an equal and opposite reaction” said Faerie Wren,

given to science at times, well aware of his tendency to logic, and seeking

out the laws of Newton, and others besides.

“All I can remember is dancing on moonbeams, and now we

are blessed with castles in the air, and know not why…” I said,

glad our bags had been restored to life by the moon.  Our glasses

were working, but a bit foggy, due to the attempts of the intellect

to grasp the meaning of why we were safe, now.  The castle we now

dwelt in was in the air, and it hovered above Old Woman Island.

 

Angel Wings

 

The Giants, the Amazons, had heard our

pleas for help, yet could not come until we slept,

and were assisting the boy with the golden goose, informing the trees.

“To every action, there is an equal and opposite reaction,” said Faerie Wren,

and as he read, and understood, his glasses became less blurred. 

The castle had an endless library, full of books.

“I see, are you talking about the laws, the karmic laws?” I said,

turning the small unicorn over in my hands, and contemplating it.

“In a sense, it seems to say, they are interrelated, hmmm…”

“The Giant was not much of a match for the Amazons, it turned out…”

“Yes, that much I can remember.”

I became pensive, thinking of Rainbow Beach, and the

journey so far.

“You know, we can’t stay here forever, in this castle in the air,”

I said, yet knowing a return.

“Yes, but things have changed, and we understand it, — it was just

an equal and opposite reaction…”

“I am beginning to understand it,” I said, and then Faerie Wren

stood up and puffed out his chest and started to sing.

(clipart courtesy Karen’swhimsy online.)

(copyright Imogen Crest 2008.)

 

 

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The Mudjimba Matriarchs

January 26, 2008

I quickly ascended the bluff’s trail and joined the band of Mudjimba. We proceeded along a path through a dark wooded area until we came to what I presumed was their village. Small wooden houses on stilts surrounded a central gathering area with a firepit in the middle. The pit held a burning fire. The women, silent as we moved through the forest, surrounded the blaze and then, as if on cue, sat down on reed mats. One of the women motioned for me to follow suit.

In the flickering light of the fire, I examined the women. They were of all races and ethnicities, dressed in costumes from all over the world. Each watched me and I could not tell from their impassive faces what they were thinking. After a few moments, I heard a voice from the crowd:

“Rise for the Great Matriarch!”

The women rose. I scrambled to my feet as well.

A tall woman, dressed in a green dashiki kaftan emerged from one end of the ring of women. Her hair was wrapped in a matching turban and she held a tall staff in one hand. On the top was carved figure of a raven, its eyes appeared to be made of amber stones. She stood for a moment and scanned the group. Then her eyes fell on me. She pointed her staff at me.

“You. Who are you?”

I swallowed. My mouth was so dry. “I’m Lori.”

“Why have you come here?”

“Because those were my instructions…I– I was told this at a par-… I mean, I was told to do this by my sisters at Rainbow Beach.”

A brief smile flashed across her face but then vanished.

“What were your reasons for following these ‘instructions’?”

“Well, um, I guess I’m on this journey to find myself..” I winced at my own words. “I mean, I want to get in touch with my interior world.” Ugh, that wasn’t any better.

“I fail to understand why the women of your world get so lost and have to ‘find themselves’. How do you manage to miss what is right in front, beside, behind, above and within yourselves. Truly amazing.”

She had a point. She continued, “But that is not the reason you seek us tonight, is it?”

“No…” I stepped towards her a bit. “I need to help my companion. He was with me on the beach but we were attacked and these three…women… took him.”

“Yes, we know. They are The Spectres of Kerithian Caldera. Lost souls. And very dangerous. Why did they attack you?”

“I don’t know. I thought you might know?”

“Why would you presume that? We have no business with them and neither should you.”

My shoulders sagged. I didn’t know what to do now.

“The Sea-maidens are fluent in many languages. They told me that one of them shouted at you as they left the beach.”

“What did she say?”

“She said that you must ‘Give it to me or he will die in three days.’”

My heart dropped. “What?? No! What do they want?!”

“How would we know this? Obviously, you have something they want.”

I tried to remember everything about my two encounters with the Spectres. The dock…that’s it! They were watching me after I bought my supplies.

I dropped my bag to the ground and began to rummage through it. I pulled out the box I had discovered in the rest of my supplies I purchased from Ahmed.

“This. I think they want this.” I removed the lid. A golden light glowed from within and the women gasped.

“The Mechanism…..She has the Mechanism….Great Heavens above….”

The Matriarch squinted her eyes and stepped towards me. She peered into the box.

“The Antikythera Mechanism. How did you get this?”

“It was in some supplies I bought at Rainbow Beach. Is this what they want?”

“I would think so.”

“What does it do?”

“It is not what it does that is important… it is what it represents. This device represents all devices, every bit of technology ever crafted by the hands of women and men.”

I shook my head. I did not understand.

“Lemuria exists in the heart and the imagination. But is is manifested by technology. The Mechanism embodies the idea of this technology. According to the ancient stories, whoever has the Mechanism possesses the power behind the idea.”

I could see where this was going. “And whoever has the power behind the idea controls how Lemuria emanates to the outer world…” I finished. The Spectres would rule Lemuria.

“That is what the legend says.” Her words hung in the air around me. After a moment the Matriarch asked “What do you plan to do?”

“What do you mean? I going to find Albion and get him back.”

What about your quest to ‘find yourself’?”

“Well, if, as you say, I don’t need to find myself, then I might as well go find someone else, right?”

The women murmured and shifted on their feet. “Spirited girl,” laughed one woman. “Mouthy and insolent if you ask me,” said another.

The Matriarch laughed. “You are beginning to think beyond yourself and to the welfare of others. Well done.”

“Is there anything you can do to help me? I don’t know where to start looking for them”

“My assumption is, if they want you to bring the Mechanism to them, they will be somewhere easy to find. My guess would be they have gone home to their caldera.”

“Thank you. I think that’s on my map. I’ll leave at first light.”

“I think we can give you a little more time. Stand closer the fire.”

I moved toward the firepit. The Matriarch stepped towards me and three other women came forward to join her. As the four of them stood before me, they turned to face each other, each grabbing a wrist of one of the others. Holding their wrists they began moving in a circle, chanting words I did not understand. The rest of the women in the gathering joined in and a sonorous rumble of words and sounds filled the clearing.

I felt the heat of the fire begin to fade along with the voices. Suddenly I found myself in my boat, floating on a slow moving river. It was daylight. Jungle growth boiled over the banks of the river. I heard a cacophony of bird and animals sounds and the buzz of jungle insects. In the distance, up stream, I saw the volcano rising out of the jungle.

I dipped my oar in the water and began to paddle towards it.

Text and image: L. Gloyd (c) 2008

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Critical Thunder

January 26, 2008

(The Uninvited Guest - Marillion.) 

All of a sudden, the dance abruptly ended with an ominous sound

of loud drumbeats that seemed to reverberate all

over the Island, an unmistakeable warning.  The visions of the clearing

quickly vanished, the wonderful bard, the spinners and weavers,

as Faerie Wren and I were grabbed by

the scruff of our necks, by rough, giant hands we

couldn’t see because our eyes were closed.  Our glasses

had vanished, and all we could see when we opened

them was the still water of a cove miles down from the cliff we

we hanging over.  And two rocks, one big, one small. 

“One for each of us,” said Faerie Wren, grinning darkly, having

remembered an experience like this in another incarnation,

as Belenus the donkey, only that time the force wasn’t so big…

“It’s that sky, that dark sky, it’s angry at us for looking at the

mysteries, I didn’t realise it was a trick.  Now look at us,” I whispered,

about to perish on the rocks of our own curiosity…no wonder the

Gods are angry with us.”

“No more dancing,” said Faerie Wren, “no future, no more joy…”

“It was so lovely, what cruel trick is this, to steal our joy from us as soon

as we’ve seen it for the first time.”

Thunder rumbled heavily, clashing and bashing in the sky, like

tumbling rocks in a huge, echoing chamber.   Rain started to pour down

on the water below, making dancing patterns we thought we

would never see again. 

“Remember,” said Faerie Wren, staring hard at the raindrops,

“it’s what we focus on, it gets bigger.  That damned intellect running

unbridled without his bride…havoc in the heavens and below.”

We could feel the massive hands on our necks squeezing harder,

making us choke. 

“Change, remember the dance, the unicorn,” I said, “and stare at the

raindrops playing on the water, it has to be true, what we saw…

doesn’t it?  Or was it all a dream?”

“I know it was real,” said Faerie Wren, “but this feels more real.”

Sea Rock

 

We were frightened, shaking — all our magic was gone, and

terror was all that remained in the iron grip of the Giant who shattered

the quiet peace of the idyllic island.  Where was the Triton?  Where

were the magical women of the Island?  Our journey had been

for nothing, but to taste briefly the possibilities of the future, only to

be harrowed and brought close to annihilation by critical thunder.

“I can’t do this anymore,” said Faerie Wren, panic stricken,

“If there are any more adventures like this, I’m not going.”

“Shut up, I can hardly breathe with your bleating and narrow mindedness,

think about the dancing raindrops on the water…”

“But none of our magic works in this darkness, with the critical

Giant at our throats.  And that booming voice, telling us how

wretched, lowly and worthless we are.”

“Oh, I can’t bear it,” I said, wriggling and struggling,  “And how guilty we are,

“it’s ugly, yet none of it true.  It’s as if we were intruders in the mysteries, when I

can remember distinctly being invited on this journey by the

Great Enchanteur herself, and welcomed by the Old Woman.”

“It’s the Giant that’s not welcome, not invited,” said Faerie Wren,  “We mustn’t listen.

We mustn’t be crushed on the rocks below.”

Amid the constant rumbling and ground shaking, the sound of a wooden

spoon banging on a saucepan was heard.  It was almost as loud as the

thunder, and stirred the Giant, at once diverting his attention.

Another giant, a woman, was running across the top of the cliff,

calling out that someone had stolen their golden goose, bidding

her husband come and chase the villain, a young boy racing across the

land and disappearing into the pine tree forest.  It took the Giant

only a moment to decide Faerie Wren and I were of no value

compared to his golden goose.  We were shaken free of the iron grip

so abruptly we almost tumbled over the cliff edge, but glad to be breathing again,

relieved by the unexpected magic of diversion and what could

only be seen as divine intervention.   The boy would be safe, and the trees

would never let the giant find him, but that was something we’d

keep to ourselves.

Sea Rock

We were bruised and shaken, and did not know when the magic

would return, the land was still dark but the thunder abated.

We could only wait.  We would wait and dream and sleep, watched

over by the moon, with the hope of the sun rising.  Our magical

bags were laid out by the light of the full moon to be made enchanted

again.  It was too frightening to think of what might have been, and

we remembered to trust in hope, and then something else

we couldn’t see…

(Thanks You Tube for “Uninvited Guest” clip by the brilliant Marillion.)

(copyright Imogen Crest 2008.)

 

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Fish Tails at Mudjimba

January 24, 2008

I don’t remember waking up — awareness simply flooded over me and I was fully alert. I was still sitting on the sand, where I had stumbled and fallen. I saw the tracks where the women had dragged Albion washing away in the incoming tide.

“Albion!” I struggled to me feet. If the tracks disappeared, I would never be able to follow them.As I stood, I heard giggling and whispering behind me.  “Took her long enough to come around”… “Look at her hair, ew!”…”Shhhh, she’ll hear you.”

I spun around. They so blended into the rocks and sand that I did not see them at first, but then my eyes caught hold of a movement and soon they became clear. “Mermaids!” I muttered. A dozen or more at least writhed and wiggled on the sand and the rocks that surrounded the beach. A chorus of voices rose up. “Did she call us mermaids?!”….”What planet is SHE from?”…..”What a dope….”

“Excuse me!” A small creature slithered towards me on the sand. She was pretty, with a sweet human face and greenish mass of curly hair ringing her cheeks. From the waist down, she sported a bronze-colored fish tail that glistened in the sun. “We are NOT mermaids. My name is Fleura. I am a siren.”

“Sorry, my mistake…the tail sorta fooled me.”

“Tsk. Humans, really! My friend Marita-Anne is also a siren…” Fleura motioned to another creature perched on a rock above. Marita-Anne was silent but her tail slapped ominously on the side of the rock.

“…..and those are sea-nymphs…”, Fleura continued, pointing toward the giggling group. “….and over there are nixies,” indicating a group chasing a flock of sea-gulls. “We also have a couple of coral-maidens and loreleis. We are all very different and we are most definitely NOT mermaids. THAT is a human term. Very insulting.”

“Like I said, sorry. Look, I have to go. My friend needs some help.”

“You mean that cute guy….”

“Um, yeah, I guess.”

“Is he your boyyyyyyfriend????” sang one of the tittering sea-nymphs.

“Noooooo, if it’s any of your business.” The sea-nymph puffed out her lips in a pout and slithered away.  “Did you see those three women take him?

“Uh-huh. They’re ugly. Why were you hanging out with them?”

“We weren’t. How long ago did they leave?” I snapped. Patience was not my strong suit.

“A long time ago. What are those things you humans use to count time…..?.”

“Hours” whispered one of the nixies, who waved a wristwatch attached to her arm.

“Thank you, Viola… A diver gave her that thing…..it’s really cool with all the little moving thingys and the lights and buzzers….”

“How long ago!”

“Okay, okay, about three hours ago.”

“Three hours?!” I noticed that the sun had in fact gotten low on the horizon and it would be dark soon. “What happened to me?”

Fleura laughed. “Marita Anne sang one of her ’special songs.’ She scared those ugly women and put you right out. That doesn’t usually happen. You must have a weak mind.”

Marita-Ann smiled and slapped her tail especially hard on the rocks.

“Right, thanks.” I glared at her and picked up my gear.

“Wait! You can’t leave.”

“Why not?”

“‘Cuz”

I sighed.  ”"Cuz why?”

“”Cuz the Mudjimba want to talk to you first.”

The Mudjimba. Of course. They would help. They had to help.

“Where can I find the Mudjimba”.

Fleura pointed to the top of the bluff. There, silhouetted against the blaze of the setting sun, stood a crowd of women– tall, monumental in stature and all extremely somber.

Suddenly, I wasn’t so sure of myself anymore.

L. Gloyd (c) 2008

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my visit to Mudgimba

January 24, 2008

She sits in the middle of the place, works patiently, repeating the same motions, over and over, encore et encore.

She sees every one and everything around her. She is extra sensitive to what comes and moves around her. I stand beside her but then i get fascinated by the piece she works on. It is an unfinished one. The colours are laid beside in her basket. The needle in her hand looks like new: it shines like sun!

I ask: How long have you been working on this one?

- As long as you are here

My guess is she does not understand my accent and my words. I rephrase:

- This piece here (as I put my hand on a corner of the tapestry), how long you have been working on it? How long you do this?

- As long as you are here

She looks at me and smile with her old and dirty teeth. Her eyes are as bright as a child’s! I can’t refrain myself to smile back at her and keep on observing her hands going on and under the tapestry. The technic is simple but Ijust can figure out the picture… I don’t see anything clear except many colours… No picture available… for now. I can’t figure out what this tapestry will become.

I can’t wait to see the result! I guess I’ll meet her on my way back home.

written by Manon – also posted on Mon petit coin here

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A Fertile Clearing

January 22, 2008

Pink Oleander

The women from the caves seemed to urge us to a nearby clearing,

…after they had shown us the future, quietly, with their wise eyes…

…so we put our glasses on, so we would see things differently,

…and came to a tropical glade, where

oleanders bloomed after fresh rain,

…and listened to a magical bard, singing about beautiful things…

 

…And this was written on some paperbark,
tacked to a tree in the clearing…
Faerie Wren and I just danced and
danced when we read it…

The Dance
by Oriah Mountain Dreamer
I have sent you my invitation,
the note inscribed on the palm of my hand by the fire of living.
Don’t jump up and shout, “Yes, this is what I want! Let’s do it!”
Just stand up quietly and dance with me.

Show me how you follow your deepest desires,
spiralling down into the ache within the ache.
And I will show you how I reach inward and open outward
to feel the kiss of the Mystery, sweet lips on my own, everyday.

Don’t tell me you want to hold the whole world in your heart.
Show me how you turn away from making another wrong without abandoning yourself when you are hurt and afraid of being unloved.

Tell me a story of who you are,
And see who I am in the stories I am living.
And together we will remember that each of us always has a choice.

Don’t tell me how wonderful things will be . . . some day.
Show me you can risk being completely at peace,
truly OK with the way things are right now in this moment,
and again in the next and the next and the next. . .

I have heard enough warrior stories of heroic daring.
Tell me how you crumble when you hit the wall,
the place you cannot go beyond by the strength of your own will.
What carries you to the other side of that wall,
to the fragile beauty of your own humanness?

And after we have shown each other how we have set and kept the clear, healthy boundaries that help us live side by side with each other, let us risk remembering that we never stop silently loving those we once loved out loud.

Take me to the places on the earth that teach you how to dance, the places where you can risk letting the world break your heart.
And I will take you to the places where the earth beneath my feet and the stars overhead make my heart whole again and again.

Show me how you take care of business
without letting business determine who you are.
When the children are fed but still the voices within and around us shout that soul’s desires have too high a price,
let us remind each other that it is never about the money.

Show me how you offer to your people and the world
the stories and the songs you want our children’s children to remember, and I will show you how I struggle
not to change the world, but to love it.

Sit beside me in long moments of shared solitude,
knowing both our absolute aloneness and our undeniable belonging. Dance with me in the silence and in the sound of small daily words, holding neither against me at the end of the day.

And when the sound of all the declarations of our sincerest
intentions has died away on the wind, dance with me in the infinite pause before the next great inhale of the breath that is breathing us all into being, not filling the emptiness from the outside or from within.

Don’t say, “Yes!”
Just take my hand and dance with me.

Oriah Mountain Dreamer 
http://www.robinsweb.com/inspiration/dance.html

(Poetry courtesy Lisa from GMS, copyright Oriah Mountain Dreamer.
Video, the brilliant Marillion track “Beautiful” sung by
Steve Hogarth, from You Tube.)
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Spinners and Weavers Evolving

January 21, 2008

…as the spinning and weaving women continued

to evolve the story, we sat transfixed,

to the amazing conclusion

and sat in the cave for a very long time,

without speaking…

(Thanks You Tube and Lisa from GMS for the healing clip.)

(copyright Imogen Crest 2008.)

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Weavers and Spinners Continued…

January 19, 2008

Deep in the cave of the spinning and weaving women,

the Futures,

Faerie Wren I watched in silence as

the patterns unfolded…

and continued to unfold…

(Thanks You Tube for the healing clip, and Lisa from GMS.)

(copyright Imogen Crest 2008.)